A World Apart Review: An Underwhelming Queer Romantasy
A World Apart is a romantasy that struggles to develop its romance. Read on for our full review!
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Love Language Review: A Great Start and Chloë Grace Moretz Can’t Get This Film Past Its Mediocre Third Act
Love Language gets the realities of city life right on the money for so much of the film that it seems like it’s leading the viewer to the right ending. Read on for our review!
Lilyisthatyou’s ‘From The Garden I Grew’ Isn’t A Musical Carbon Copy — EP Review
‘From The Garden I Grew’ is an exercise in excellence. Read on for our in-depth review!
Wild Horse Nine Review: A Deeper Buddy Flick with Stellar Performances
John Malkovich shines, but the film lacks some of Martin McDonagh’s previous charm. Still worth a watch for the leads’ chemistry. Read our review.
The 10 Most Underrated Horror Films To Watch This Halloween
If one is seeking a movie to terrify or shock, these films have notable attributes that will make them entertain and make their audiences jump right out of their seats. Read on for our list!
Clayface Review: An Imperfect, Tragic Origin Tale That Embraces The Horror Genre
Ultimately, Clayface operates as a bold body horror movie within a comic book world. Read our review!
62nd Chicago International Film Festival Review: ‘Behemoth!’ Allows Pedro Pascal to Take Center Stage
Behemoth!, the latest feature from Tony Gilroy, stars Pedro Pascal as a cellist navigating his memories via the music he plays.
Wildwood Review: A Technically Brilliant Achievement With Some Fantastic Characterizations
Wildwood is at its most expressive when it shows the integrity of Prue, who takes her place alongside great animated heroines such as Merida from Brave. Read on for our review.
Maybe Happy Ending Review: A Musical About a Couple of Robots With Plenty of Heart and Emotions
Maybe Happy Ending is the best show on Broadway for those who want to know what it’s like to discover love in a pure and emotionally moving way. Read on for our review.
62nd Chicago International Film Festival Review: The Debut is Affectionate and Absurd
Jessie Eisenberg’s third directorial effort, starring Julianne Moore and Paul Giamatti, opened to rapturous reception at the 62nd Chicago International Film Festival ahead of its theatrical run in December.
