Send Help Review: Rachel McAdams Delivers in a Welcoming Return to Horror From Sam Raimi
Send Help is a return to form for Raimi and brings out a career-defining performance from Rachel McAdams. Read our review.
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The Rip Review: Matt Damon and Ben Affleck Deliver Old-School Thrills
The Rip is here, but does it deliver gritty, cop thrills? Can Matt Damon and Ben Affleck’s chemistry survive a night of paranoia? Read Quinn Que’s review.
Mercy Review: A Timely Premise Trapped in Screenlife Gimmickry
In a year already crowded with AI-themed entertainment, Mercy struggles to justify its existence beyond capitalizing on trending topics.
We Bury the Dead Review: A Chilling, Inspired Apocalypse Drama About Recovering
We Bury the Dead is a careful, 28 Days Later-inspired drama carried by Daisy Ridley and Brendon Thwaites’ moving performances.
Avatar: Fire and Ash Review: Another Visually Captivating Experience From James Cameron
Avatar: Fire and Ash is still a treat to behold, and the visual effects alone are worth the price of admission. Read on for our review.
No Other Choice Review: The Secret to Success
No Other Choice is a wild ride that puts the whole dog eat dog, grind life under a microscope. Read our review of this excellent Park Chan-wook film.
The Housemaid Review: A Twisted Tale That Feels Like a Classic Erotic Thriller
The Housemaid is a great thriller that is worth the price of admission thanks to the film’s plot and the way it’s framed to be both serious and a little silly.
Song Sung Blue Review: Hugh Jackman and Kate Hudson Deliver a Powerful Love Story Infused by the Music of Neil Diamond
Song Sung Blue brings a heartfelt love story that is well-crafted, thanks to the performances of our leads and a great soundtrack.
Liz Rao’s ‘The Truck’ Highlights the American Reality of Women
Liz Rao takes a look at post-Roe America in her short film The Truck. Check out our review to find out why she does such a good job!
Wake Up Dead Man Review: Rian Johnson’s Ambitious Mystery Feels Like a Miniseries in Disguise
Rian Johnson’s longest Benoit Blanc mystery yet feels like a miniseries compressed into film form. Read on for our review!