Mercy Review: A Timely Premise Trapped in Screenlife Gimmickry
In a year already crowded with AI-themed entertainment, Mercy struggles to justify its existence beyond capitalizing on trending topics.
In a year already crowded with AI-themed entertainment, Mercy struggles to justify its existence beyond capitalizing on trending topics.
We Bury the Dead is a careful, 28 Days Later-inspired drama carried by Daisy Ridley and Brendon Thwaites’ moving performances.
Avatar: Fire and Ash is still a treat to behold, and the visual effects alone are worth the price of admission. Read on for our review.
No Other Choice is a wild ride that puts the whole dog eat dog, grind life under a microscope. Read our review of this excellent Park Chan-wook film.
The Housemaid is a great thriller that is worth the price of admission thanks to the film’s plot and the way it’s framed to be both serious and a little silly.
Song Sung Blue brings a heartfelt love story that is well-crafted, thanks to the performances of our leads and a great soundtrack.
Liz Rao takes a look at post-Roe America in her short film The Truck. Check out our review to find out why she does such a good job!
Rian Johnson’s longest Benoit Blanc mystery yet feels like a miniseries compressed into film form. Read on for our review!
Wicked: For Good has stellar performances and shining moments in an otherwise grim Act II, and it is far less thrillifying than Wicked.
Jesse Plemons and Emma Stone bring outstanding performances and the humanity to monsters in one of Yorgos Lanthimos’s best. Read our review.